Rashōmon in the Sahara. A new documentary by José Gonzalez Morandi

Inspired by “Rashōmon” by Akira Kurosawa, in which a single event is explained from different points of view, this new documentary project by José Gonzalez Morandi, brings together multiple narratives that make up a complex image of the Ifni-Sahara war, also known as the “forgotten war”. An episode of a wider decolonization process involving the whole Africa, from the 50s to the 70s.

The film aims to recover the memories of the veterans, trying to bring voices and memories out of oblivion. The idea was to place the story of the former LNA members and indigenous troops in the colonial armies that confronted them in its historical context and restore the complexity of the related versions in a polyphonic narrative through the film.

The documentary funded by the Gerda Henkel Stiftung (Dusseldorf) is avialable here:

Rashōmon team: Jean Philippe CORBELLINI ( Sound recording, cameraman, CNRS / MSH Val de Loire, Tours); Francesco CORREALE (Author, producer, CNRS / UMR 7324 CITERES, Tours); Camille EVRARD (Scientific expert, FRAMESPA, Université Toulouse Jean Jaurès); José GONZALEZ MORANDI (Director, editor, cameraman, Barcelone); Alberto LOPEZ BARGADOS (Author, producer, GRECS-Universitat de Barcelona).

Associated members in Western Sahara and Morocco: Mohammed Mohammed Ahmed DAHMI (Traductor, independant researcher); Khalid EL MANSOURI (Traductor).

Inspirado en “Rashōmon” de Akira Kurosawa, en el que se explica un solo evento desde diferentes puntos de vista, este nuevo proyecto documental de José González Morandi, reúne múltiples narrativas que conforman una imagen compleja de la guerra Ifni-Sahara, también conocida como la “guerra olvidada”.

Un episodio de un proceso de descolonización más amplio que involucró a toda África, desde los años 50 hasta los 70. La película tiene como objetivo recuperar los recuerdos de los veteranos, tratando de sacar voces y recuerdos del olvido.

La idea era ubicar la historia de los ex miembros del LNA y las tropas indígenas en los ejércitos coloniales que los confrontaron en su contexto histórico y restaurar la complejidad de las versiones relacionadas en una narrativa polifónica a través de la película.

El documental, que ha sido financiado por Gerda Henkel Stiftung (Dusseldorf), está disponible aquí:

Rashōmon team: Jean Philippe CORBELLINI (Sound recording, cameraman, CNRS / MSH Val de Loire, Tours); Francesco CORREALE (Author, producer, CNRS / UMR 7324 CITERES, Tours); Camille EVRARD (Scientific expert, FRAMESPA, Université Toulouse Jean Jaurès); José GONZALEZ MORANDI (Director, editor, cameraman, Barcelone); Alberto LOPEZ BARGADOS (Author, producer, GRECS-Universitat de Barcelona).

Associated members in Western Sahara and Morocco: Mohammed Mohammed Ahmed DAHMI (Traductor, independant researcher); Khalid EL MANSOURI (Traductor).

documentario, film

Art, visuality and social research. Tales from the field (webinar)

This is first date of a series of seminars organized by the Visual Sociology Research Group aiming to go beyond the boundaries of social sciences, integrating other different expressive languages and opening up to other diciplinary fields.

The event is conceived as a dialogue promoted by Laboratorio of Sociologia Visuale (Genova) and Observatori de la Vida Quotidiana (Barcelona) and will be moderated by: Luca Queirolo Palmas (University of Genoa).

The event will be held on an online platform.

The webinar will be held on the Zoom platform and it will be availavle at the following URL:

https://zoom.us/j/99708635303?pwd=cXNrZEY4S0diLzBwdmlNV2oyZXNnZz09

Experiences and speakers:
EUFEMIA and migrants in transit: walking through research, exhibition and catalogue. Anna Daneri (co-curator), Anto Milotta and Zlato Donchev (artists), Sara Hamssaoui (20K project).

Researching artivism between everyday life and events. Monika Salzbrunn – Université de Lausanne – ERC Project ARTIVISM

Barcelona, a colonial metropolis: social research and visual arts across the warehouses of a ethnologic museum. Andrés Antebi / Jose Gonzalez Morandi Observatori de la Vida Quotidiana (OVQ)

BarcelonaAnthropology, documentary and youth street groups.
Jose Sanchez Garcia, Universitat Pompeu Fabra – ERC Project TRANSGANG

Dreamland: Aesthetics on the Move / a4c #artsforthecommons.
Rosa Jijon and Francesco Martone. Visual Artists, Quito/Roma

The seminar will be held in English, Spanish and French.

art-based research, webinar

Refugees’ Lockdown. An art-based research project

Refugees’ Lockdown is an art-based research project organized by the Visual Sociology Research Group, the Oblò Association and the Controluce photographic club.

The goal is to create a visual archive and a collective art work on the experience of the pandemic for women and men seeking asylum or refugees. All those who have spent at least one month in the Italian reception system between January 2020 and the end of the initiative (May 31, 2021) can send their visual stories of the pandemic; the project is not focused on health aspects, rather on the consequences the pandemic entailed on the daily life of asylum seekers and refugees.

Photographs, illustrations and videos are admitted.

More information available ont the project’s website: www.refugeeslockdown.com

Refugees ‘Lockdown è un progetto di ricerca artistico organizzato dal Laboratorio di Sociologia Visuale, dall’Associazione Oblò e dal circolo fotografico Controluce.
L’obiettivo è creare un archivio visuale ed un’opera d’arte collettiva sull’esperienza della pandemia per le donne e gli uomini in cerca di asilo o rifugiati.
Tutti coloro che hanno trascorso almeno un mese nel sistema di accoglienza italiano tra gennaio 2020 e la fine dell’iniziativa (31 maggio 2021) possono inviare il loro racconto visivo della pandemia; il progetto non è focalizzato sugli aspetti sanitari, quanto sulle conseguenze che la pandemia ha comportato sulla vita quotidiana di richiedenti asilo e rifugiati.

Sono ammesse fotografie, illustrazioni e video.

Maggiori informazioni disponibili sul sito web del progetto: www.refugeeslockdown.com

art-based research, asylum-ssekers, refugees, sociologia visuale, visual archive

Debordering Europe. A new book about the Italian-French border

“Debordering Europe”, a new book about the Italian-French border in Ventimiglia is out. A collective works focused on how border works within the Schengen area, which provide a unique perspective and a critic insight about the lack of shrared responsability between EU member states, the EU common asylum system, and the respect of human rights. Furthermore, the authors – including our colleagues Livio Amigoni, Luca Giliberti, Luca Queirolo Palmas and Federico Rahola – have the merit of opening a discussion about borders and the role of migration control policies precisely at the moment in which “national sovereignties” seem to have become an unavoidable topos of politics, in every European country.

More information about this book here: https://www.palgrave.com/gp/book/9783030565176

È uscito “Debordering Europe”, un nuovo libro sul confine italo-francese di Ventimiglia. Un lavoro collettivo incentrato su come funzionano le frontiere all’interno dell’area Schengen, che fornisce una prospettiva unica e una visione critica sulla mancanza di responsabilità condivisa tra gli Stati membri dell’UE, sul sistema dell’asilo politico nell’UE e sul rispetto dei diritti umani. Inoltre gli autori – tra cui i nostri colleghi Livio Amigoni, Luca Giliberti, Luca Queirolo Palmas e Federico Rahola – hanno il merito di aprire una discussione sui confini e sul ruolo delle politiche di controllo delle migrazioni proprio nel momento in cui i “sovranismi” sembrano essere diventati un topos ineludibile della politica, in ogni paese europeo .

Maggiori informazioni su questo libro sono disponibili qui: https://www.palgrave.com/gp/book/9783030565176

book, border, confini, libro, Ventimiglia

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